NEW STEP BY STEP MAP FOR RUSSIAN CREAM BACKWOODS 0 4

Notions of looking and voyeurism are addressed spatially and architecturally in “Very good For Me.” In this particular collection, swooping strains create a type of peephole impact that reveals Mundt in two diverse poses: adopting the posture of Toulouse-Lautrec’s product and tugging at her belly. This gesture, which seems in other paintings